Zach Brock, jazz violinist and composer, is forging a unique musical identity with “audacious ingenuity and masterful command of his instrument,” says Bill Milkowski of Jazz Times. Distinguished jazz critic Howard Reich of the Chicago Tribune writes that Zach Brock is a violinist “whose every phrase argues for the instrument’s value in 21st century jazz.” Neil Tesser echoes, “Zach Brock is the pre-eminent improvising violinist of his generation.”
2013 is proving a landmark year for Brock as he tours as co-leader with renowned pianist/composer Phil Markowitz, appears in festivals with the Stanley Clarke Band, and premiers new classical works by Laurie Altman and Preston Stahly. In August Brock was named “2013 Rising Star Violinist” by Downbeat Magazine.
Zach’s debut recording for the Dutch label Criss Cross Jazz, Almost Never Was, was listed as one of The Chicago Tribune’s Top 10 Jazz Recordings of 2012 and features Brock with pianist Aaron Goldberg, bassist Matt Penman, and drummer Eric Harland in a set of new originals, standards, and contemporary classics. While Criss Cross’ considerable catalog of renown jazz players stretches back to 1978, Almost Never Was is the first to be led by a violinist. In December 2012 the quartet played to a capacity audience for the album’s release at NYC’s Jazz Standard and were also featured in a live broadcast for WNYC’s Soundcheck with John Schaefer.
In 2010, alongside longtime collaborator Matt Wigton on bass and Frederick Kennedy on drums, Zach recorded The Magic Number. The trio made their international debut at the 2010 Toronto Jazz Festival and in 2012 they represented the U.S. Department of State as Arts Envoys to the Solomon Islands.
Zach’s first band, The Coffee Achievers, after recording two CDs on Brock’s Secret Fort label, performed at Carnegie Hall in 2005 at the invitation of trumpeter and composer Dave Douglas. Later that year they were invited to perform at the Ouro Preto Jazz Festival in Brazil by recommendation of MacArthur Grant recipient Patricia Barber.